静岡浅間神社
102-1 Miyagasaki-cho, Aoi-ku, Shizuoka City, Shizuoka Prefecture
The magnificent shrine buildings of the Suruga Province Soja
Shizuoka Sengen Shrine is a collective name for the three shrines: Kanbe Shrine, Sengen Shrine, and Otoshimioya Shrine, which are located at the foot of Mt. Shizuhata.
Each shrine enshrines a different deity: Kanbe Shrine enshrines Okuninushi no Mikoto.
Sengen Shrine enshrines Konohanasakuya-hime no Mikoto.
Otoshimioya Shrine enshrines Otoshimioya no Mikoto.
The entrance to the shrine features a large red Myojin Torii gate on the west side.
Directly in front of it is Otoshimioya Shrine.
On the south side stands a stone torii gate, and across the road, at the entrance to the main shrine grounds, stands the Sōmon gate, which is designated as an important cultural property.
The most striking feature from this entrance is the vivid vermilion-painted shrine buildings with intricate carvings.
The particularly luxurious shrine buildings at the southern entrance house Kanbe Shrine and Sengen Shrine.
The two-storied gate of these two shrines was built in the 13th year of the Bunka era.
The entire structure is painted vermilion, and it is known for its carvings, including a dragon drinking water and a tiger carrying its cubs.
The most striking building at Shizuoka Sengen Shrine is the main hall, a two-story wooden structure that serves both Kanbe Shrine and Sengen Shrine.
It was constructed over nine years, starting from the second year of the Bunka era, and stands 25 meters tall.
The hall covers an area equivalent to 132 tatami mats, with a coffered ceiling spanning 10 ken (about 18 meters).
The interior ceiling paintings by Kano Eishin and Kanshin are displayed.
Because of its extremely ornate appearance, it is called the "Nikko of the Tokai region."
Otoshimioya Shrine, located on the west side of the shrine grounds, consists of the shrine gate, worship hall, karamon gate, and the main hall.
The main hall, built in the sankensha nagare-zukuri style, appears relatively modest compared to other shrines within Shizuoka Sengen Shrine.
Nevertheless, it is adorned with colorful fittings and carvings, creating a splendid shrine building.
Besides these three shrines, there are four additional auxiliary shrines within the precincts, each displaying vibrant colors.
The Yachihokojinja Shrine, designated as an important cultural property, is located between Sengen Shrine and Otoshimioya Shrine and is said to have been built after the main shrine.
The shrine buildings are adorned with carvings by the Tachikawa school around the transoms.
Sukunahikona Shrine, built on the east side of the shrine grounds, was originally called Jingūji Yakushi Shrine but became Sukunahikona Shrine during the separation of Shinto and Buddhism.
The shrine building is constructed in the Irimoya style with a copper roof.
The carvings around the transoms are known to be by the Tachikawa school, and among the twelve zodiac signs carved in a circle, "Rat" and "Ox" are inside and usually not visible.
Tamahoko Shrine, among the simpler shrine buildings within the precincts, is a small shrine in plain wood construction.
Built in the Ichimonsha Nagare-zukuri style, it was founded in 1876, completely destroyed in 1974, and rebuilt three years later.
Location | 102-1 Miyagasaki-cho, Aoi-ku, Shizuoka City, Shizuoka Prefecture |
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Website | http://www.shizuokasengen.net/ |
Main Hall | Bunka 11 (1814) Designated as an Important Cultural Property |
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Carpenter | Washiro Tachikawa Tomimasa |
Romon Gate | Bunka 13 (1816) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
舞殿 | Bunka 14 (1817) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Deity | Konohanasakuya-hime no Mikoto |
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Main Hall | Bunka 1 (1804) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Architectural Style | Hiyoku-Sangen-sha Nagare-zukuri Tile-roofed |
Deities | Okuninushi no Mikoto, Ninigi no Mikoto, Takuhatachijihime no Mikoto, Toshogu |
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Main Hall | Bunka 1 (1804) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Architectural Style | Hiyoku-Sangen-sha Nagare-zukuri Tile-roofed |
Deity | Otoshimioya no Mikoto |
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Main Hall | Bunka 7 (1810) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Architectural Style | Sangen-sha Nagare-zukuri Tile-roofed |
Deities | Oyama Tsumi no Mikoto, Yamato Takeru no Mikoto |
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Main Hall | Bunka 5 (1808) Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Architectural Style | Sangen-sha Nagare-zukuri Tile-roofed |
Deities | Sukunahikona no Mikoto, The Fourteen Deities of the Former Kanbe Shrine Sub-shrine |
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Main Hall | Designated as an Important Cultural Property |
Carpenter | Washiro Tachikawa Tomimasa |
Architectural Style | Irimoya-zukuri Copper Tile-roofed |